Learning Curves: Pamela Phatsimo Sunstrum at the Barbican – Review Posted by By admin December 15, 2024Posted inArts, Audio, EMPIRE LINES, Politics and History
An artist going places: Alia Farid at Oslo’s Henie Onstad Kunstsenter – Review Posted by By admin November 13, 2024Posted inArts, EMPIRE LINES, Politics and History, Uncategorized
Artists & Animals: Adham Faramawy, Tarlan Lotfizadeh, Ouma & Mohammad Shaqdih – Review Posted by By admin November 1, 2024Posted inArts, Politics and History
Afropean: Johny Pitts on homes, history, and photography Posted by By admin October 23, 2024Posted inArts, EMPIRE LINES, Politics and History
Push and Pull Factors: Exhibitions about Migrations in Marylebone – Reviews Posted by By admin October 2, 2024Posted inArts, EMPIRE LINES, Politics and History
No Man is an Island: Mohammad Barrangi at b-side Festival 2024 and beyond – Reviews Posted by By admin September 17, 2024Posted inArts, Politics and History
Jelena Sofronijevic revisits Carrie Mae Weems: ‘Reflections for Now’ at the Barbican – Review Posted by By admin September 15, 2024Posted inArts, EMPIRE LINES, Politics and History
Not Only, But Also: Permindar Kaur’s Ambiguous Sculptures at John Hansard Gallery Posted by By admin August 22, 2024Posted inArts, EMPIRE LINES, Politics and History
Turner Prize nominee Jasleen Kaur on abstracting and alternating contexts – Interview Posted by By admin August 19, 2024Posted inArts, EMPIRE LINES, Politics and History
We Are Eagles: Outi Pieski and Maree Clarke at Tate Modern – Review Posted by By admin June 4, 2024Posted inArts, Audio, EMPIRE LINES, Politics and History
