Dreams and Revelations: Portia Zvavahera’s ‘Zvakazarurwa’- Review Posted by By admin March 11, 2025Posted inArts, EMPIRE LINES, Politics and History
War Rugs: Afghanistan’s Knotted Histories of Conflict, Resistance & Desires – Review Posted by By admin March 7, 2025Posted inArts, Audio, EMPIRE LINES, Politics and History
Artist Interview: Jakkai Siributr on stitching place and time at the Whitworth Posted by By admin February 6, 2025Posted inArts, Audio, EMPIRE LINES, Politics and History
The Camera Obscured: Photography, Film, and Moving Image at the V&A in London – Reviews Posted by By admin January 16, 2025Posted inArts, Audio, EMPIRE LINES, Politics and History
Learning Curves: Pamela Phatsimo Sunstrum at the Barbican – Review Posted by By admin December 15, 2024Posted inArts, Audio, EMPIRE LINES, Politics and History
An artist going places: Alia Farid at Oslo’s Henie Onstad Kunstsenter – Review Posted by By admin November 13, 2024Posted inArts, EMPIRE LINES, Politics and History, Uncategorized
Afropean: Johny Pitts on homes, history, and photography Posted by By admin October 23, 2024Posted inArts, EMPIRE LINES, Politics and History
Push and Pull Factors: Exhibitions about Migrations in Marylebone – Reviews Posted by By admin October 2, 2024Posted inArts, EMPIRE LINES, Politics and History
Jelena Sofronijevic revisits Carrie Mae Weems: ‘Reflections for Now’ at the Barbican – Review Posted by By admin September 15, 2024Posted inArts, EMPIRE LINES, Politics and History
Not Only, But Also: Permindar Kaur’s Ambiguous Sculptures at John Hansard Gallery Posted by By admin August 22, 2024Posted inArts, EMPIRE LINES, Politics and History
