ARTS / CULTURES
Heather Agyepong at New Art Exchange Nottingham – Interview
October 13, 2025
Bernat Klein’s Studio Saved at Auction
August 14, 2025
Letter from Timișoara – Report for Art Monthly
January 29, 2025
Art History and the United Arab Emirates – Book Review
January 10, 2025
Afropean: Johny Pitts on homes, history, and photography
October 23, 2024
Artist Spotlight: Maria Prymachenko – Review
January 3, 2024
Monica Sjöö: The Great Cosmic Mother at Modern Art Oxford – Review
December 22, 2023
Infinite Viewpoints: Gego at the Guggenheim Bilbao – Review
November 16, 2023
Intangible Englishness: Eric Ravilious in Sussex – Reviews
October 20, 2023
Reclaiming Visual Culture: BLACK VENUS at Somerset House – Review
September 18, 2023
Dovecot Studios’ history of women artists in Scotland – Review
September 12, 2023
Crivelli’s Garden: Paula Rego storms The National Gallery – Review
September 7, 2023
6 of the best podcasts about art and artists
July 19, 2023
The women of Ukiyo-e – Japan Reviews (2/3)
April 26, 2023
Aladdin Sane at 50 – Review
April 17, 2023
The Story of Japanese Food Told Through Four Arts
March 27, 2023
City and Sculpture – Reviews
March 14, 2023
Visit Japan for free – from London – Reviews
March 8, 2023
The Van Gogh Family – Review
February 27, 2023
Asian Art in the Netherlands – Reviews
February 23, 2023
A Fascinating Production About Hiroshima: The Mistake Review
February 10, 2023
Feeling Her Way: Sonia Boyce’s ‘noisy exhibition’ – Review
February 9, 2023
gowithYamo’s Paris Week 🇫🇷 – Newsletter
February 2, 2023
The Big Three: A Weekend in Paris – Reviews
February 2, 2023
Picasso in Paris – Reviews
February 1, 2023
‘Foreign’ in France: Curating Migration and Art – Reviews
January 31, 2023
Bare And Intimate: ‘New Plays: Japan’ Review
January 31, 2023
Accessibility at London Art Fair 2023 – gowithYamo Newsletter
January 19, 2023
London Art Fair 2023: A More Accessible Art World? – Review
January 19, 2023
Review: ‘Mandela: The Musical’
December 19, 2022
A father, A daughter, A gulf: ‘Baghdaddy’ Review
December 16, 2022
Uneasy And Conflicting Identities- ‘12.37’ Review
December 7, 2022
Making Modernism at the Royal Academy – Review
November 22, 2022
Hong Kong: City on Fire – Interview with Producer Sinead Kirwan
November 22, 2022
Wuthering Frights – The Moors at Hope Theatre London – Review
October 24, 2022
Iphigenia in Splott at the Lyric Hammersmith – Review
October 21, 2022
Nalini Malani: My Reality is Different – Review
October 20, 2022
Frieze 2022 Retrospective – Review
October 18, 2022
‘Godland’: Denmark and Iceland Share a Dark Pilgrimage – Review
October 17, 2022
Glimpses: We Are What We See – Review
October 13, 2022
Poles Apart: Dmitry at Marylebone Theatre – Review
October 6, 2022
Young and Wild: Art in 1980s Germany – Review
September 27, 2022
Marina Abramović: Gates and Portals – Review
September 26, 2022
Uncomfortable Truths: The Apology at Arcola Theatre London – Review
September 22, 2022
A Taste for Impressionism at the Scottish National Gallery – Review
September 20, 2022
Tracey Emin: I Lay Here For You – Review
September 7, 2022
Postwar Modern: Building out of the Bombsite – Review
March 9, 2022
Mixing It Up: Challenging Modern Art’s Set Menu – Review
December 15, 2021
Lubaina Himid: A Full House at the Tate – Review
December 8, 2021
Dürer’s Journeys: a Short Haul of a Long Legacy – Review
November 26, 2021
Humane Review
November 5, 2021
Snowflakes Review
October 1, 2021
The Lodger Review
September 23, 2021
Small Change Review
September 21, 2021
The Nobodies Review
August 27, 2021
This Beautiful Future Review
August 23, 2021
Mighty Atom in Tortoise Slow Reviews
August 20, 2021
Epic Iran: A Panorama of Persians Past – Review
June 21, 2021
Thought vs. action: Forster on culture
July 17, 2020
Wildfell Book Club Edition Two: Masked Observations
July 10, 2020
Howards End: An introduction
July 6, 2020
Diana of Dobson’s Review
March 14, 2020
Scottish Opera: Nixon in China 2020 Review
March 1, 2020
The Importance of Being Earnest Review
February 28, 2020
Branagh Theatre Live: The Winter’s Tale Review
January 31, 2020
National Theatre Live: Present Laughter Review
January 28, 2020
I Can Go Anywhere Review
December 18, 2019
Balkanarama Sessions Review
December 6, 2019
Paula Rego: Obedience and Defiance Review
December 2, 2019
National Theatre Live: Hansard Review
November 24, 2019
East Review
November 23, 2019
National Theatre Live: Fleabag Review
November 19, 2019
LeithLate 19: Moon Party Review
November 19, 2019
EZRA Review
November 13, 2019
Life With My Father, George Orwell Review
October 21, 2019
Gauguin at the National Gallery Review
October 17, 2019
A Play, a Pie and a Pint: Mack the Knife Review
October 6, 2019
Joker Review
October 6, 2019
Solaris Review
September 15, 2019
FreshFringe 2019: Summerhall at the Festivals Review
August 29, 2019
FreshFringe 2019: Crocodile Fever Review
August 29, 2019
FreshFringe 2019: Collapsible Review
August 29, 2019
The Duchess (of Malfi) Review
June 30, 2019
WHITE Review
March 27, 2019
Blue Planet II: Live in Concert Review
March 23, 2019
The Vaccines Review
February 2, 2019
FreshFringe 2018: Summerhall at the Festivals Review
October 2, 2018
YUGOSLAVIA / BALKANS
Bernat Klein’s Studio Saved at Auction
August 14, 2025
Cockta, Slovenia – The Vittles EU8 Restaurant Guide
December 20, 2024
Marina Abramović: Gates and Portals – Review
September 26, 2022
Traditions and unity in town’s “little Yugoslavia”
October 8, 2020
BBC Radio 4: Telford, Little Yugoslavia
September 6, 2020
Balkanarama Sessions Review
December 6, 2019
POLITICS / HISTORY
Heather Agyepong at New Art Exchange Nottingham – Interview
October 13, 2025
Bernat Klein’s Studio Saved at Auction
August 14, 2025
Letter from Timișoara – Report for Art Monthly
January 29, 2025
Art History and the United Arab Emirates – Book Review
January 10, 2025
Afropean: Johny Pitts on homes, history, and photography
October 23, 2024
Artist Spotlight: Maria Prymachenko – Review
January 3, 2024
Monica Sjöö: The Great Cosmic Mother at Modern Art Oxford – Review
December 22, 2023
Infinite Viewpoints: Gego at the Guggenheim Bilbao – Review
November 16, 2023
Intangible Englishness: Eric Ravilious in Sussex – Reviews
October 20, 2023
Reclaiming Visual Culture: BLACK VENUS at Somerset House – Review
September 18, 2023
Dovecot Studios’ history of women artists in Scotland – Review
September 12, 2023
The women of Ukiyo-e – Japan Reviews (2/3)
April 26, 2023
The Story of Japanese Food Told Through Four Arts
March 27, 2023
Visit Japan for free – from London – Reviews
March 8, 2023
Asian Art in the Netherlands – Reviews
February 23, 2023
A Fascinating Production About Hiroshima: The Mistake Review
February 10, 2023
Feeling Her Way: Sonia Boyce’s ‘noisy exhibition’ – Review
February 9, 2023
gowithYamo’s Paris Week 🇫🇷 – Newsletter
February 2, 2023
The Big Three: A Weekend in Paris – Reviews
February 2, 2023
Picasso in Paris – Reviews
February 1, 2023
‘Foreign’ in France: Curating Migration and Art – Reviews
January 31, 2023
Review: ‘Mandela: The Musical’
December 19, 2022
A father, A daughter, A gulf: ‘Baghdaddy’ Review
December 16, 2022
Uneasy And Conflicting Identities- ‘12.37’ Review
December 7, 2022
Hong Kong: City on Fire – Interview with Producer Sinead Kirwan
November 22, 2022
Iphigenia in Splott at the Lyric Hammersmith – Review
October 21, 2022
Nalini Malani: My Reality is Different – Review
October 20, 2022
‘Godland’: Denmark and Iceland Share a Dark Pilgrimage – Review
October 17, 2022
Poles Apart: Dmitry at Marylebone Theatre – Review
October 6, 2022
Young and Wild: Art in 1980s Germany – Review
September 27, 2022
Marina Abramović: Gates and Portals – Review
September 26, 2022
Uncomfortable Truths: The Apology at Arcola Theatre London – Review
September 22, 2022
Postwar Modern: Building out of the Bombsite – Review
March 9, 2022
Mixing It Up: Challenging Modern Art’s Set Menu – Review
December 15, 2021
Lubaina Himid: A Full House at the Tate – Review
December 8, 2021
Mighty Atom in Tortoise Slow Reviews
August 20, 2021
Crisis on Campus
May 6, 2021
Traditions and unity in town’s “little Yugoslavia”
October 8, 2020
BBC Radio 4: Telford, Little Yugoslavia
September 6, 2020
Marion Cleland Lochhead
December 6, 2018
A New Generation of European Energy Strategies
April 26, 2017
Vietnam waives visas for UK travellers
June 22, 2015
AUDIO
Heather Agyepong at New Art Exchange Nottingham – Interview
October 13, 2025
6 of the best podcasts about art and artists
July 19, 2023
Visit Japan for free – from London – Reviews
March 8, 2023
Nalini Malani: My Reality is Different – Review
October 20, 2022
Lubaina Himid: A Full House at the Tate – Review
December 8, 2021
Mighty Atom in Tortoise Slow Reviews
August 20, 2021
BBC Radio 4: Telford, Little Yugoslavia
September 6, 2020
Student Radio: Broadcasting in Lockdown
August 19, 2020
Paula Rego: Obedience and Defiance Review
December 2, 2019
Life With My Father, George Orwell Review
October 21, 2019
Joker Review
October 6, 2019
The Vaccines Review
February 2, 2019
LEARNING
Featured by national museums and galleries: